Here is a fine example of “apology culture”; I’m about to write an article about a Mel Gibson movie, and unless I want the average reader to think I’m misogynist, racist, or anti-Semitic, I have to open by addressing Gibson’s reputation outside of film.
You know what? I don’t care what people think. I’m not here to signal virtue. I’m going to discuss the Mel Gibson film Apocalypto based upon its own merits, which are considerable. Had Gibson never acted and spoke as he did, according to the police reports and gossip vultures, I’d be talking about an Oscar winner for Best Picture. Apocalypto is the kind of film John Boorman used to make. See it if you’re skeptical. If you have acquaintances who might look askance at you for enjoying the work of Mel Gibson, go elsewhere. Continue reading
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