This year represents a personal milestone for me, in that I have now been creating and self-publishing my own comics for thirty years.
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The Thirty Year Niche
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In The Beginning
Set the Wayback Machine for 1998. I was at Kinko’s, in the middle of the night, running off copies of Mike The Pod Comix #4 (the blue one).
The fourth issue was a transitional one. Drop Dead, my “90’s comic book“, concluded in its pages, in lieu of a seventh issue. I reprinted the Liquid Paper Pirates and Squeeky Wheel Gets The Grease strips from FINK, as well as For Whom The Beef Jerks.
Oh, and for the first time ever, I did full frontal, stark raving nudity. (NSFW!!!)
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Not The Nineties!
The May 2000 issue of The Last Laugh contained a do-it-yourself board game as its centerfold. It was called Not The Nineties!
I don’t know if anyone ever played it; I doubt it. The potshots are pretty brutal for a fun diversion. What can I say, the 1990s were actually pretty brutal themselves. The game provides a reasonably accurate simulation of trudging through ten unpleasant years.
(Printable game board included at the end of this article!)
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Ze Brain On Ze Table
In case you’re a neophyte to this website and its redundant obsessions, 2009 saw the release of the hysterically divisive toy movie Revenge of the Fallen. To be kind, I reference this beloved turkey a lot. So often, in fact, that I’ve tried in recent months to avoid referencing it, to keep from wearing it out.
I bring it up almost as frequently as I do my time in jail. It even showed on the giant TV in stir- and the other inmates had seen it so many times they were sick of it. It was like hanging out with a hundred friends in a warehouse, bickering over what to watch. Continue reading
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That ’90s Comic Book
No, not Peter Bagge’s HATE. I mean that ’90s comic book you’ve never heard of.
A short-lived little funnybook called DROP DEAD, which any fool could see was inspired by Bagge’s neat stuff. Some kid who called himself Matty Boy Anderson was barely out of high school when he started cranking out copies, and timidly mailing them to review periodicals like Factsheet Five, and cartoonists he admired, such as Bagge, Roy (Trailer Trash) Tompkins, and Evan Dorkin.
It began in 1993, when self-publishing meant a trip to Kinko’s. The black & white interior was cheap to print (and fun to huff), but full-color covers were expensive. So typically an office color-copier was secretly abused for free, someplace prior. With a book stapler, you were all set to collate and fold your comix. This is the way it was done. Plus, not sinking your life savings into a print run left you more open to trading, which is also the way it was done. When you submitted your publication to Factsheet Five, you indicated whether trades were welcome. If you did, you found yourself with quite a “zine” collection, very rapidly.
It was actually pretty grand. Continue reading
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Bored White Suburban Neo-Hippie Rich Kid
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