The mid-1980’s Twilight Zone was actually really good. It had an appropriately creepy vibe right from the start, aided greatly by the reinterpretation of the classic theme music, courtesy of Merl Saunders and the Grateful Dead.
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Filed under Comix Classic & Current, Faint Signals, Girls of BIUL, Nostalgic Obsessions, Thousand Listen Club, Unfairly Maligned
Belabor Day
For the first time in eight years, a new collection of Bands I Useta Like strips is available!
Here’s why you’ll want one of your own:
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Filed under Animation Analysis, Comix Classic & Current, Girls of BIUL, Magazine Rack, Site Stuff
Head Shots
When you’re polishing the brass railings of the HMS Titanic, it’s important to remember one thing; do it with style. Otherwise, why bother? The more you polish, the better you get. So what if the ship hits the iceberg and sinks?
Since 1998, largely to keep myself out of a rut, I’ve changed the heading of the Bands I Useta Like strip every few years. In the very beginning (when it was self-published), it looked like this:
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God Lives Underwater
Twenty years ago, I drew the first batch of Bands I Useta Like strips.
Twenty years ago.
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Filed under Bad Influences, Comix Classic & Current, Don't Know Don't Care, Girls of BIUL, Magazine Rack, Thousand Listen Club
Thatch
Do you still read comic strips? If so, where?
If you read them in a metropolitan newspaper, you are reading syndicated comic strips. This is the traditional method by which comic strips are published. Syndicated cartoonists can make big bucks because they get a fee for every different newspaper they appear in, and then there’s the merchandising. Seventy years ago, it was not uncommon to see syndicated cartoonists living large alongside movie stars. They were feted as a new style of raconteur. At his peak, the artist of Dick Tracy got a shiny new Cadillac, every year. Syndication is the ultimate goal of the working cartoonist. Continue reading
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