I used to call myself a horror-movie buff in the 1990s, so I’ve heard all the grievances about “scream queens” and “final girls”. And, you know, those complaints worked; now every female protagonist in movies is an unstoppable “badass”. I saw the recent space drama Gravity, and I was mystified why so many people disliked it. Then I looked into the details; modern audiences rejected a Sandra Bullock who freaks out and cries when things go sour. Never mind that it’s part of a character arc; females must always be steely and in control.
Well, like so many aspects of modern film, that’s boring. Another victim of political correctness in movies is the Girl Who Can Scream. The scolds among us will suggest that men get a perverse satisfaction out of seeing women in jeopardy, but that’s only the perverts. For the rest of us, it’s a human fire alarm, when it’s done right. It signals that things are really, really bad. They even used to put it in the trailers.
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Filed under Bad Influences, Faint Signals, Girls of BIUL, Nostalgic Obsessions, Saturday Movie Matinee
Tagged as #tbt, 1980s, 1990s, Angry Grandpa, Bad Lieutenant, Dominique Dunne, Dream Warriors, Freddy Krueger, Harvey Keitel, horror movies, Indiana Jones, Kate Capshaw, MIchael Myers, Nightmare on Elm Street 3, Patricia Arquette, political correctness, Poltergeist, scream queens, screaming, Temple of Doom
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