I don’t hate karaoke. Really, I don’t.
I don’t do it myself, either, but I don’t equate it with actual performance. Karaoke is for fun; a diversion. Plus, I’m old enough to remember the first karaoke joke on The Simpsons, when the gag was that it was something Japanese people did. It was the successor to the camera strapped around the neck.
Now, not only is karaoke available in a home version, but late-night talk show hosts burn air time “lip-syncing” “popular” (corporate-backed) songs. The boring blond from Amos & Andy For Nerds, excuse me, I mean The Big Bang Theory, lip-synced her way through a Ludacris song where almost every other word is “bitch”. The idea being, look at this little white girl act “gangsta”. As long as the star is corporate-backed, this is “empowerment”. What do you imagine happens if someone without a hit show* tries this? Continue reading →
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Filed under Don't Know Don't Care, Faint Signals, Idiot's Delight, Worst Of All
Tagged as #tbt, 1980s, 1984, 1986, 1988, air guitar, Big Bang Theory, Dick Clark, Dr. Seuss, farts, Fergie Olver, improv, Just Like Mom, Kaley Cuoco, karaoke, lip-syncing, Ludacris, New Jersey, NYC, Puttin' On The Hits, Richard A. Clark, Ron Howard, sellouts, The Gong Show, The Simpsons, Throwback Thursday
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