Sampling in hip-hop is important because it can send you backward in time, when it’s done well. It’s crate-digging shared on wax. The best samples offer a window into the mind of the producer, and a peek at the most obscure records in their vault. Since legally all sources must be credited, you can check the liners and draw up a shopping list. The torch of the turntable is carried on.
And oftentimes, forgotten geniuses of the past get their due.
There’s an unspoken rule in hip-hop culture; it’s based in appropriation, so it’s all about forging something fresh out of a juxtaposition of elements. A sample is looped over a beat by a DJ, before the MC begins to rap. The right samples are crucial; they provide the hook of tonal immortality.
The handsome gent in the photo above is David McCallum. He is the most widely-heard yet unknown dude in rap music.
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Filed under Comix Classic & Current, Faint Signals, Nostalgic Obsessions, Thousand Listen Club
Tagged as #tbt, 1960s, 1968, 1969, 1970s, 1980s, 1987, 3 6 Mafia, Above The Law, Beastie Boys, Cold 187um, crate-digging, David Axelrod, David McCallum, DJ Shadow, Dr. Dre, Eric B. & Rakim, glitch, hip hop, jail, parental advisory labels, Prefuse 73, rap, RjD2, sampling, Snoop Doggy Dogg, Willie Hutch, xenochrony
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